Several people have commented about the time we spend working on the songs, so I’ve decided to explain the recording process in a little more detail. We spend a lot of time listening to songs and searching for the right songs before the recording begins. We probably listen to at least 200 songs, then narrow the list down to 20-25. Choosing the final 10-12 is probably the hardest part. Many times one of us will really like a particular song, but the other two end up voting it down. Each one of us have certain types of songs that we do best, and many times that person has to make the final decision about which song they want to sing every night for the next 2 years (or longer)!
We usually spend a day or two coming up with the arrangement of the songs and the right keys. I then write the charts that the musicians will use to play the songs. We usually book two days of studio time with the musicians to record the basic rhythm section-piano, guitars, bass, and drums. After the tracks are recorded, we bring them back to our studio in Morristown and begin recording the vocals with our engineer and sound tech, Greg Shockley. Since we are usually trying to juggle the bank, post office, laundry, dentist, chiropractor, office, and a thousand other things, we average getting about two songs per day recorded. Sometimes while one is working on their solo sections, others are trying to get the errands finished. We end up spending about 5 days working on the vocals, or an average of about 4 hours per song.
While this is happening, Jason Webb is arranging the orchestral parts, writing the charts, and scheduling that part of the recording in Nashville. Also any other overdubs such as B3 organ are added during this time.
When everything is recorded, Van Atkins begins the mixing process at Crossroads Studio in Asheville. Everything is sent to him via email files, DVD, or data CDs. Van spends approximately 2 days EQing each instrument and comes up with a beginning music mix. I then join him for about 4 days of mixing the vocals and finalizing the mix of the project. After that, there is a day of mastering, a day of mixing soundtracks for us to sing with on stage, and finally IT’S FINISHED!!
Of course, there is a photo shoot to schedule, graphic design, song licensing, and many other details to take care of. Without the help of Greg Bentley, Jeff Collins, and Mickey Gamble at Crossroads, we couldn’t get everything done. This process is truly a team effort. We’re thankful to have all of you on our team as well. GO TALLEY TREE-O TREE HUGGERS :) YOU GUYS ROCK!
i don’t think you charge enough for your cd’s lol
Reply to louiseI’ve never thought much about what goes into making a recorded CD. In my mind you all sing a song and it’s recorded. I never understood the fuss of taking so long to make a CD. This has been an enlightening experience to watch this CD unfold.
Reply to RebeccaI’m looking forward to listening to it many times over.
Love to All, Rebecca
Thanks, Roger! Thinking about the time and effort that goes into recording new material, makes me appreciate what you guys do even more! You guys are awesome!
Reply to Stanley ThompsonLike my Grandma once said, everything is more complex than you think. Thanks for letting us in on the process, and taking the time to explain it. I bet sometimes you wonder of it is all worth it. Roger, it is ! Remember, the best way to appreciate your job is to imagine yourself without it ! The best prize that life offers is the chance to work hard at work worth doing !
Reply to JeffAll of that time & effort is well worth it when you listen to the finished product. You guys are incredible!
Reply to Elaine HarcourtHey Elain are you the Elaine Harcourt who listened to KSGL in Wichita? This is Odie who was on there for about a year on Wednesday Mornings with John Mills. I have often thought of you!
Reply to odie boggsI recall, Roger, that “The Singing News” review mentioned the amazing attention to detail in regard to your “Stages” album, and the description you gave above confirms that you do indeed take the details seriously, which I believe makes all the difference between a good album and a great one.
Though I have been a serious gospel record collector for over 50 years, I am sure that I do not have all of the Talley’s albums (though I wish I did), but I can honestly say that every Talley project I have purchased has been a great one.
Please keep up that incredible attention to detail, Roger!
Reply to Jim WiltshireHello Talley’s!
Reply to Mark BehrensI’ve had the wonderful opportunity to go through a few recordings myself and they were not even as complicated as the one Roger just explained. From an instrumental stand point, it was easy for me to show up play my parts and be done, but I now the vocals are one of the hardest parts to get right. One recording in particular that I was involved in took one day! We got done so quickly (10 songs)they had me, a bass player sing a few backup parts, what where they thinking! I understand all the hard work that you do to put together a CD, and I know I speak for all your listeners we appreciate the hours of hard work you all put in to each CD!! The final product is well worth the wait!! God has definitely given you a very special talent and I have really enjoyed listening to you over the past few years. I would love to have you come to Nebraska sometime, so my fellow Huskers can enjoy you the way that I do!! Can’t wait for the CD!
I never even thought it would take that much work to record a CD but I am not a singer, just enjoy listening. Thanks so much for letting us know what goes into it. Seen you at Ohio Christian University Aug. 1st, in Ohio, and really did enjoy it. Thanks again , see u at the convention. God Bless
Reply to gene welshSongs that you recorded six years ago, do you still sing those in the original keys you recorded them in or do you go in the studio and lower them? Oviously, as we mature and get older, our voices get a little bit lower. I was just wandering if you still sing those in the original keys or not?
Reply to Clay GoinsIt is a lot of work to complete a project. It takes a lot of energy but it is a lot of fun!!
Reply to odie boggsRoger, Debra, and Lauren thanks again for this site. It has been nice to follow your project. Can not wait to hear the finished project.
Clay,
Reply to roger talleyI’m pretty sure we sing everything that we’ve recorded as The Talley Trio in the original key. A few years ago, we did a Talley Reunion project with Kirk, and we looked at each other and said “why did we record these songs so HIGH?”. Of course the voicings were different then. Interestingly, we just recorded Hallelujah Praise The Lamb again in the same key as the original. Because it. has such a wide range, it is both nearly as low AND high as we can sing!
So what we’re all wondering at my house is, is all this time and extreme care typical of recording artists, or are you guys just extra conscientous? Your care obviously shows in your finished product, and I’m convinced it’s what makes your concerts always dead-on too. But is your recording process typical across the industry for most recording artists?
Reply to Rachel Overton